Hi Vivid-Pixers!
If you watch new underwater photographers as I have over the years, you would surely see that a significant percentage of them that try to take pictures of dozens of subjects on almost every dive. I often explain their style as “shooting at anything with gills”.
I get it. For a lot of us...
One of the pitfalls for underwater photographers, especially newer shooters, is failing to have their subject fill a pleasing percentage of their photographic frame. All too often, the result is a fantastic subject that is too small in an image. In short, the best way to describe a picture like that is “an opportunity lost”.
This is so cool...
Pardon me for the dated use of “cool.” I don’t have a better way to express what I feel.
I live in upstate New York, USA. No, not skyscrapers and concrete...this is primarily farm country. Think apples and dairy cows. And I actually enjoy living on what many people would consider the frozen tundra. As my...
Though certainly not the norm, occasionally some photos can come out grainy.
When an image is very dark, or very low contrast, the potential for graininess rises. In particular, when your camera is forced to boost the low light level that it captures, the image may become grainy. You may not realize this is happening because cameras generally make this boost automatically. And some cameras do this...
So just what is lightness and contrast?
In an image, lightness (or brightness) is the overall light level. The picture of an eel in a coral crevasse at 30 feet is a good example of an image without much lightness, unless you illuminate it with a strobe. A dolphin just under the surface can be an example of an image with high lightness.
While there are many techniques for sharpening, some yield better results than others. We have selected one with a counterintuitive name...Unsharp Masking. Why? Because it tends to accentuate the important parts to the image without increasing visual noise or graininess.
It is always fun to add any new twist that you can think of for your underwater photography. I decided to experiment with things that were orange. I selected out lots of photos that I already had, and I also went on a few dives looking for anything with orange. I was very lucky and found my absolute favorite but elusive subject, the gaudy clown crab (Platypodiella spectabilis).
As part of its Doing Good activities, Vivid-Pix is proud to be working with Reef Ball Foundation, an organization that has conducted over 6,000 projects, in 70+ countries, rehabilitating coral reefs.
Supporters that purchase our software will receive a $10 discount and Reef Ball Foundation will receive a $10 donation. Have Fun, Doing Good!
Read the article written by Michel Gilbert & Danielle Alary that appeared in the July Issue of DIVER Magazine.
Don’t just use your strobes to light up everything. Sometimes you need to be careful how to use your strobes to NOT light parts of the image so that you can make shadows.
I loved this sponge with the look of a cookie monster. But if I had used me strobe(s) closer to the lens for front lighting, it would have lit up the sponge inside the “mouth” and “eyes.” I wanted...
